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She stunned in a deep red lehenga (a two-piece outfit consisting of this skirt and a coordinating top)
Especially a fabric with a small floral print
By the 1960s, Reyner Banham, design critic par excellence, was writing passionately about the lure of lustre, arguing that the appeal of shiny stuff was both primal and ancient (think gemstones, fire, celestial powers) and fundamentally modern and democratic
Her subtle floral texture, removable draped sleeves, and hidden side pockets make her the perfect gown
The sequins catch the light, the slit keeps it flirty
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