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The classics of the genre that became so recognizable and imitated in the 1940s, from The Maltese Falcon and Double Indemnity to The Killers, Out of the Past , The Big Combo, and Laura all evidence so many of the same signature components: the down-and-out antihero, the investigative narrative fractured by flashbacks, the labyrinthine plots full of twists and turns, the voice-over narration, the femme fatale, and the evocative, signature chiaroscuro of low-lit urban street corners, shadowy interiors, and reflective surfaces, all designed to unsettle and disorient
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The genius of Christopher Dresser Huon Mallalieu revisits the brilliant Christopher Dresser's career In 1898 The Studio magazine described Christopher Dresser (18341904) as perhaps the greatest of commercial designers, imposing his fantasy and invention upon the ordinary output of British industry [he raised] the national level of design not by producing costly bric--brac for millionaires but by dealing with products within the reach of the middle classes and perhaps the masses themselves
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