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I returned to Chengdu
It's as if the photographer was capturing their (her) emotions as a young woman by holding a mirror up to her own growth and evolution alongside those of her models
they are like the "wrinkles" of the crust shaped by compression and deformation
Albeit utilitatian in function and form
217 x 285 x 10 mm
STEIDL WERK No. 32: MANIFEST I returned to ChengduFounded by Theseus Chan in the year 2000, WERK magazine burst forth as a radical vision in the world of publication design. Each issue is a completely different object to the last, and together they form an artistic insurrection against the conventional fabric of printed matter. Each issue is also collaborative, and since STEIDL WERK No. 23: MASAHO ANOTANI DEFORMED of 2016, five of those collaborations have been with Steidl, including the latest:
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