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The composition asks the viewer to stand where Glen stood — looking out over country that goes on longer than you can see
a plant of forest edges and rocky outcrops that produces flowers disproportionately large for its modest stature
A Grizzly Bear on a rocky riverbank — mouth open
The maple leaves are botanically precise — the specific lobing of the sugar maple leaf is correct at every stage of the autumn colour turn
The fox's vivid orange coat against the pale winter field is compositionally bold and completely accurate
Cottontail Bunny with Violet — Giclée on Paper Oil The composition asks the viewerA newborn cottontail barely larger than a fist, eyes open to a world it has just discovered sits among purple violets, its ears alert, its spotted baby coat still visible. This is as tender as wildlife art gets: the animal so young and so precisely rendered that the viewer instinctively lowers their voice. The violets surrounding it are botanically accurate, each petal placed where a violet petal would actually be. Glen's small mammal studies of young
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