LUSAKA STREET delete All the visuals in the

All the visuals in the book are AI-generated

and attempted manifestos—to redefine what we thought we already knew

reflecting on the passing of his parents

and colors outlined by the US Government Publishing Office—standards set to ensure design efficiency and the economical production of their internal documents

I like how my neighbor’s terracotta roof foregrounds the silhouettes of skyscrapers miles off and how the dark middle distance slopes towards a façade of pinpoint lights at night

LUSAKA STREET delete All the visuals in theLusaka Street is an exploration of Zambias photographic past through the eyes of Zambian image maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka a time when the use of the camera was restricted in the country Phiri was trained at Lusakas Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before