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JOEL SAM | ‘Exodus’ | Linocut print Ilan regatta He began to follow the

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Description

He began to follow the Lizard

Our totemic and spiritual connection to our Adhy- totem the Dungalaw is at a level where we are in the same frequency as Mother Nature

traditions and lifestyles of the Torres Strait Islander peoples

Zheng Bo straddles the space between politics and the environment in his work

This Dhangal carving and designs within this image portray the landscape of our Torres Strait regions

JOEL SAM | ‘Exodus’ | Linocut print Ilan regatta He began to follow theExodus It was during World War 2 that young men from Saibai Island discovered fertile land with large source of fresh water on Cape York. The masks in this print represent men from the different clan group having a discussion at a tribal meeting on moving their people to Cape York Peninsula. The move was for the betterment of their peoples future. Hardship faced on Saibai Island such as lack of fresh water, flooding during monsoonal tides. Water and

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