Eastern White Pine — Framed Piece Frame:Black the owl itself is completely

the owl itself is completely present

the whole composition breathing with the specific quality of early May in a mixed hardwood forest

The pine needles behind the owl are soft and secondary

and his aquatic compositions demonstrate the same field observation and anatomical knowledge he brought to his terrestrial subjects

Temagami was one of Glen's touchstones

Eastern White Pine — Framed Piece Frame:Black the owl itself is completelyLooking up through the canopy of an old Eastern White Pine the massive trunk at centre, the long horizontal branches spreading to the left and right, the needles in loose green clusters against a pale, hazy sky. This coloured pencil landscape is one of Glen's most architecturally conceived tree studies: the pine is not a background element but the entire subject, the viewer placed at its base looking upward into its structure. The Eastern White Pine