Lines Has stock in Germany Nobody photographs skin like Donna

Nobody photographs skin like Donna Trope

when a refugee camp settled in the Maximilian Park in the center of Brussels

In their works the artist duo explores how the queer community’s “safe spaces” have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self

we ate and ate and ate

Incomplete Encyclopedia of Touch archives the human desire to put a hand on things

Lines Has stock in Germany Nobody photographs skin like DonnaThe second instalment in the photographic flipbook series. A journey connecting Londons financial centers, The City and Canary Wharf, via the urban docks of South London.