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her “abstract” photographs emerge from a masterful approach to composition
and by which political grammars is its ongoing condition disrupted and contested
pulling strands together to reconfigure ideas of family
—JENNY XIE
jokes and visual puns of popular weed culture of the day
Fortuna Y Fetiche delete her “abstract” photographs emerge fromThe collaboration between Brbara Snchez Kane (Mrida, Yucatn, 1987) and Sofa Alazraki (Buenos Aires, Argentina, 1991) began as an exchange of letters between two friends. Love letters in odd formats. Like throwing a dart from one end of the world to the other. At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (their logic is unconscious, rather). Sometimes they
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