Vodou Rich Jeanette N. Cleveland southwestern margins of the US-Mexico

southwestern margins of the US-Mexico borderlands

it finds them wanting

this collection serves as a social chronicle of counterculture from the 1960s through the early 2000s

queer and/or Black

the Kemp's ridley

Vodou Rich Jeanette N. Cleveland southwestern margins of the US-MexicoContemporary dance in Haiti challenges global stereotypes of its people, their country, and their worldmaking. Mario LaMothe profiles four celebrated Haitian choreographers to examine the influences that nurtured the generative and transgressive dance practices found today in the Caribbean nation. LaMothe weaves Vodou teaching practices with humanist and social science theory to shed light on how choreographers move among ideas of Haitian bodies as