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are at the center of the publication accompanying the exhibition
Marble House Project
mix and cross over
Emily Ashcroft captures the organic and unfiltered beauty of the young female experience through candid and colourful photographs of six bright girls on the cusp of womanhood
The making of a sandwich is a tasteful and relational creation
It's Not What It Looks Like delete are at the center ofThis title, like Anas body of work, purposes to carefully observe the other side of circumstances and to think about an ecstatic temporality beyond the here and now as well as exploring the open mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses, to vindicate gender performativity. The potentiality of a rupture in monolithic thought, thus valuing interdisciplinary modes of collaboration, fuelled by a network of
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