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Becoming Audible Martin Kemp In response to this ever-growingAcoustic Creatures explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists that get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural. To frame his analysis, McQuinn employs Gilles Deleuze and Flix Guattaris concept of becoming animal, Donna Haraways definitions of multispecies becoming with, and