Blackness in Opera Matthew R. Kay These discarded remains pull beachcombers

These discarded remains pull beachcombers into a world of startling revelation

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goes to subsequent times when their behavior or response was a problem

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Made by young musicians for a young audience

Blackness in Opera Matthew R. Kay These discarded remains pull beachcombersBlackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A multidisciplinary cross section of scholars place well known operas (Porgy and Bess, Aida, Otello) alongside lesser known works such as Scott Joplin's Treemonisha, Clarence Cameron White's Ouanga!, and William Grant Still's Blue Steel to reveal a new historical context for re imagining race and blackness in opera. The volume brings a wide