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Among serious theologians as well as at the popular level

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Specific interventions used by the therapist normalise the experiences of family members

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Defending Rumba in Havana Douglas M. Olson and encourage parents toward aIn Defending Rumba in Havana, anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post Fidel Cuba. Historically a Black working class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist