How Not To Exclude Artist Mothers (and other parents), by Hettie Judah (Lund Humphres Publishers Ltd and Sotheby's Institute of Art) rosemary mayer we are the ‘Dead-Man’s fingers’

we are the ‘Dead-Man’s fingers’ which must find a way to ‘rise again’

a single letter / swiveled to me’ – Fiona Glen and Nina Hanz propose a radical revision of the lyric that is at once wildly lavish and ‘trimmed vivid’

Bicéphale features the works of artists Marion Andrieu and Zora Mann and consists of a set of two monographic folded posters bound together into a double-sided publication

and sculptor Hermann Glöckner

When decisions are based on misinformed assumptions about how the built environment influences our behaviour or we are told

How Not To Exclude Artist Mothers (and other parents), by Hettie Judah (Lund Humphres Publishers Ltd and Sotheby's Institute of Art) rosemary mayer we are the ‘Dead-Man’s fingers’For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally,