Portrait of a Spinning Man chicken except for the inescapable voids

except for the inescapable voids in the face

I’ve always been fascinated by how fragile life can be and equally as interested in objects and ideas that aren’t just a veneer

the artist asks about our gaze

At play here are ideas of manipulation

The flesh is traditionally rendered

Portrait of a Spinning Man chicken except for the inescapable voidsOil on glass, 19x14x8"; tempered glass, bloodwood, aluminum. This work explores the relationships among the self alongside the human technology layers. Implied interpretations are levels of consciousness, the editing of self in the digital space, and the hierarchies of humans and technology. It seeks to ask questions of motive and control. The mount holds the framed panes off the wall, allowing them to spin about a vertical axis. Inquire about