Crazy Doberman – Two Tales of Lost Witness Marks [LP] Avant-Garde / Leftfield Equally nervous and ecstatic

Equally nervous and ecstatic

With homages to Arthur Doyle by doing a Conspiracy Nation with him and one without him

His score for Henri Decoin's 1962 film Maléfices (Where the Truth Lies) (starring Juliette Gréco) is the missing link between his earliest avant-garde recordings and his later celebrated pop experiments with Michel Colombier and Spooky Tooth

It's maybe the end of an era for Pumice with his 8 track pushed to its maximum limits and dying soon after these recordings were finished

This resulted in a series of studies known as Cinq études de bruits (Five Studies of Noises) (1948)

Crazy Doberman – Two Tales of Lost Witness Marks [LP] Avant-Garde / Leftfield Equally nervous and ecstatic"Tim Gick's already warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A side; kicked off with the familiar sound of the Dobes' synth throb and Love cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat