Passing Through Moving In and Getting Away With It: Gordon Matta-Clark New York City Graffiti Photographs, 1972-73. just as party theorists began

just as party theorists began to rethink many bedrock assumptions about representation

Amores Perros offers a rich insight into the practice and process of one of the world’s leading filmmakers

Black Ain't: Notes on De-Essentializing Black Identities'

When we can respect the unknowability of the other and still care for and with them

310 x 225mm

Passing Through Moving In and Getting Away With It: Gordon Matta-Clark New York City Graffiti Photographs, 1972-73. just as party theorists beganFrom 1972 to 1973, Gordon Matta Clark took over fifteen hundred photographs of grati in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under recognized body of work from Matta Clarkan artist who used the citys crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta Clark shot,